Sunday, August 14, 2011
REVIEW: Jesse Sykes and the Sweet Hereafter - Marble Son
In playing "guess the influences," I'm coming up with echoes of Sticky Fingers-era Stones, Fillmore East-era Allmans (check out the way the guitar swings in the title track - manna to your reviewer here, who has always thrilled to "In Memory of Elizabeth Reed"), heck, even Meddle-era Pink Floyd... it's hard to come up with a precise analogue, but perhaps this is piquing your interest.
Of course, nothing works quite as well as giving a listen. Check out the opening track, recorded in a live performance in KEXP's studios (and a big thank you to KEXP, which is where I heard the opening track on a Song of the Day podcast):
And here is "Your Own Kind"... the guitar, oh man, the guitar:
To accompany lyrics like these:
To live a life completely;
to have lived a life complete,
you must first let go,
of everything that you know.
You must let go.
it makes sense that the music would be pretty unrestrained. There are a lot of lyrics about the ends of things, regrets and letting go, and the music supplies a haunting backdrop for the exploration of those ideas. It also supplies a sort of runway for letting go, with extended fierce guitar runs throughout the longer songs.
Can they "play it pretty," you ask? Well, yes. There are a couple of hushed tracks that really feature Sykes' voice up front, with some delicate acoustic backing. Here's "Wooden Roses":
Heavy rock, folk, country, blues, psychedelia... To try to classify this record is to minimize their accomplishment...Marble Son is recommended for people who like any kind of rock music.
Jesse Sykes Website