Reb Fountain - How Love Bends

 

Perhaps a bold prediction to make in the fourth month of the year, but we think that more than a few tasteful music writers will include How Love Bends on their 'best of 2025' lists. The creation of New Zealand artist Reb Fountain, the album offers richly drawn alt fok/pop songs with a cinematic feel. Emotionally expansive and adventurously illustrated, how Love Bends is deeply satisfying on an intellectual and artistic level.

For this recording Reb is assisted by Dave Khan (guitar/keys), Karin Canzek (bass), and Earl Robertson (drums). How Love Bends is out now in digital form via Fountain Records and Flying Nun Records. Vinyl will  be available in early May.

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"The Depths Of An Answer" by Dumbo Gets Mad

 

It isn't our fault, but Dumbo Gets Mad. We have not way of knowing what mayhem a mad Dumbo will create, but his new psychedelic pop/soft rock tune "The Depths Of An Answer" suggests that the results actually may be quite pleasing. However, we nevertheless would recommend that you not turn your back on on mad Dumbo.

Dumbo Gets Mad is the project of Luca Bergomi.

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"Clear" by Kaspar

 

The distinctive rumble of Moog synths introduce "Clear", the new single by Finnish band Kaspar. The lovely and sincere song is the band's first recording for their new label, Helsinki's Soliti Music. The single is paired with "Who Am I" which first became available in the autumn of 2023. Kaspar's music has always involved guitars in the past, so this synth outing is a new direction for them, and we think they are on to something good.

Kaspar is John McGregor, Mikael Hakkarainen, and Tuomas Hakkarainen. The released a full album in 2009. Both John and Mikael have worked as solo artists as well.

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Sunny War - Simple Syrup

 

Simple Syrup, by LA-based artist Sunny War, is a masterpiece of folk rock. I’m just knocked out by her talent as a writer, player and arranger. Sometimes the guitar leads, sometimes the voice - the interplay is wonderful and haunting. An example of that is the track “A Love So True” - her voice and her guitar playing swing so nicely, you’ll find yourself swinging, nodding and tapping along:

There are more aggressive, electric tracks, like "Mama's Milk" - obviously Dylan-inspired. She straddles the folk/rock acoustic/electric divide nicely, as Bob did during the mid-60's run which included the iconic "Subterranean Homesick Blues". Speaking of which, check out this wonderful video, directed by Particle Kid, aka Micah Nelson:

 

 

 There’s an emotionally affecting track about a friend of hers, a young homeless veteran who calls her when he’s in jail; the title says it all: “Deployed and Destroyed”. This song really go to me. Again, her beautiful fingerpicked guitar under these lyrics: 

“You’d believe in angels if you heard him sing 

He’s got a gift only hardships bring 

He’s been called a man since he was a boy 

Fought for Uncle Sam and they left him 

Deployed destroyed”

What a writer! Check out the whole album -- she is definitely an artist to watch.

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Josephine Foster - No Harm Done

 

No Harm Done is a bit outside of our usual lane. But this eight-track musical exploration of love and yearning is utterly enchanting. Written by Josephine Foster and performed by Foster and guitarist Matthew Schneider, this is a spellbinding and utterly captivating record, highlighted by effortlessly melodic, slow-burning compositions and Foster's pristine mezzo-soprano. The vibe recalls old vinyl recordings from many decades ago, like a soundtrack for a black and white movie from the archives. We heartily encourage you to test a few songs below and consider going to Bandcamp an losing yourself in Foster's spell.

No Harm Done is out now in digital, vinyl and CD formats via Fire Records.

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Meursault - I Will Kill Again

Neil Pennycook, as we've noted here on several occasions, can rock very hard.  But the man is versatile.   On his latest album as Meursault, the ominously-but-not-entirely-seriously-named I Will Kill Again, Pennycook instead provides a gorgeous tapestry of emotion-packed, piano-driven songs.  Perhaps more remarkable is that the album had been meant to be a rock album, with the songs first drafted several years ago, but when Neil's band dissolved he recast his creations.  However, even in singer songwriter mode Pennycook deals in multiple textures, from the dark currents of his themes, to his biting phrasing and delivery, to his detailing of the arrangements.  His vocals are both plaintive yet rich and expressive, and as the man plays the piano, the piano plays with the listener's head and heart.  If you don't like music that can accomplish that, I don't know how to help you.

In addition to Pennycook, other players and vocalists on the album are Liam Chapman, Faith Eliott, Alex Livingstone, and Reuben F. Taylor.  I Will Kill Again is out now in vinyl, CD and digital formats via Edinburgh's Song By Toad Records.





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The Melodic - Effra Parade

The Melodic are a London five-piece who play folk rock with Latin influences.  With male/female vocals, a melodica, a variety of stringed instruments and world pop rhythms, they are an indie band like none other on the scene.  Eschewing the current mania among their folky brethren for Americana, they provide a breath of fresh air on genre alone.  However, their recently released debut album, Effra Parade, demonstrates that they can deliver musical content that certainly will excite fans of folk and world pop.  The songs on the album generally are both relaxed and relaxing, with a few rousing numbers that I expect would bring an appreciative live crowd to their feet.  Their art is sincere, and their home production perfect for the 15 songs on offer.  The vocals shine in the austere arrangements and the interplay of the vocals is smooth and unforced.  For me the overall effect is as if I were sitting in the living room of a group of musician friends on a Saturday night while they played their favorite tunes.  And that makes for a very good evening.

Effra Parade is out now via ANTI Records.  Below are three of the standout tracks from the album.  The third clip is a live version of "Come Outside", with fellow UK folk rocker and tour partner Johnny Flynn providing the fiddle.






The Melodic are Huw Williams, Rudi Schmidt, John Naldrett, Lydia Samuels, and James McCandless.  They currently are touring the United States, and the remaining dates are listed under the "Tour Dates" tab on their website.

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REVIEW: Lonnie Holley - Keeping A Record Of It

Lonnie Holley is an Alabama-based singer and artist with an approach that is, to say the least, unique. It's unconventional for sure. The songs move slowly - there's some call/response type repetition, but he's just as likely to ramble through a story, a line at a time in his powerful voice - it's got a sort of strangled, twisted beauty that sustains interest regardless of song structure. Mostly he's accompanied by fairly simple instrumentation -- in addition to subtle keyboards and percussion, there are found sounds that, in a way, mimic his artistic approach.

It reminds me of Sun Ra, George Clinton's "Maggot Brain" ("Mother Earth is pregnant for the third time"...) and Gil Scott Heron's spoken word work, but again, it's unique. Here's a terrific song "From The Other Side of the Pulpit":



On this album he is accompanied by Deerhunter/Atlas Sound's Bradford Cox and The Black Lips' Cole Alexander, and a good bit of the recording was done with them in Atlanta. It's a good combination, a bit reminiscent of when outsider artist Howard Finster used to supply album art to R.E.M. and The Talking Heads - one generation connecting with another, bridging the gap through shared interest in how to use art to explain the world.

Here's a teaser video:



And here's a video for "Six Space Shuttles and 144,000 Elephants":



Here's Lonnie's statement about the record:

Where does a bird go in the midst of a storm? I ask that because of my life and how I had to live - what I went through before being an artist. I believe I was chosen to be an artist because I can take my life and tell somebody else about it. But where does a bird go in the midst of a storm? What happened to my mind during the time I was unconscious for three and a half months as a child?

I remember when we used to go to church they had testimony time -- time to testify, time to tell the congregation what you had been through. You all are the congregation to me, y'all is the church. My whole life is my testimony, as are the works you've seen and heard and the works I'm continuing to do because I can't stop.

I can't stop, I can't cut my mind off. I can't walk away from what I do without worrying about it. I appreciate my talent and my skill. Some things I look back on make me get kind of moody and I cry a little bit and it makes me sad all over again. But I make art and I made this record because I think it's important. It's important for me to keep a record of my life.

I'm pretty sure that's what he means by "the other side of the pulpit" - life as testimony. This is haunting stuff.

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New Richard Buckner video - "When You Tell Me How It Is" off Surrounded, out Sept. 3

Here's the video for the lead track off Richard Buckner's new album Surrounded, out Sept. 3. It's a collection of images of blasted beauty - abandoned railroad yards, cracked paint on abandoned buildings, growth out of decay... interspersed with oblique images of Buckner performing:



A little description of his process on this album, from Merge: "The album’s liner notes include text-embedded lyrics, a technique Buckner employed on his earlier albums Since and Impasse, but this marks the first time he used the songs’ extended story to construct the album’s overall view and track sequence."

Listening to it, I'd second comparisons to Impasse and Since, even some to Devotion and Doubt - but he's come up with some unusual instrumentation, too. Some artists you just learn to trust, and Buckner is one of those, for me.

Tour dates:
Aug 17 Cleveland, OH — Happy Dog
Aug 18 Detroit, MI — Majestic Cafe
Aug 19 Chicago, IL — Schubas
Aug 20 Lexington, KY — Cosmic Charlie's
Aug 21 Columbus, OH — Cafe Bourbon Street
Sep 08 Richmond, VA — Capital Ale House *
Sep 09 Charlottesville, VA — The Southern *
Sep 11 Pittsburgh, PA — Thunderbird Cafe *
Sep 13 Wilmington, DE — World Cafe Live at The Queen *
Sep 14 Philadelphia, PA — World Cafe Live *
Sep 15 Brooklyn, NY — Littlefield *
Sep 17 New Haven, CT — Cafe 9 *
Sep 18 Pawtucket, RI — The Met *
Sep 19 Northampton, MA — Iron Horse *
Sep 20 Boston, MA — Museum of Fine Arts *

Read more and pre-order at Merge Records.

New Folk/Roots Discovery: Betse Ellis - High Moon Order

Kansas City fiddler Betse Ellis has released her second album, High Moon Order. She founded and played for the last several years with alt-country band The Wilders, but on this album she's pulled together a group of musicians in service of her own sound. It's a striking sound - unvarnished vocals, absolutely fiery fiddling and a variation in tempos from quietly beautiful to ferocious, especially on the upbeat punk number "The Complainer".



There are also nods to influences both subtle and overt, an example of the latter being the inspired cover of the Clash's "Straight to Hell":



Here's a live radio performance of the solo instrumental "Queen of the Earth and Child of the Skies" - just beautiful:



The original songs are strong, and the musicianship is never less than stellar. This is a diverse, well-played, really terrific album - highly recommended if you like cowpunk outfits like The Old 97's and Whiskeytown, or other female country/folk artists we've featured here, like Tift Merritt and Bonnie Whitmore. High Moon Order is out now on Free Dirt Records via Trade Root Music.

REVIEW: Holy Folk - Motioning

Los Angeles quartet Holy Folk is a collaboration between songwriters Keith Waggoner, Josh Caldwell, Ryan George and Jonathan Hylander. The band began in 2009 with Caldwell and Waggoner, who at the time, played together in the band, Les Blanks. George and Hylander joined the effort in 2012 and began contributing material to what would become Motioning. Somewhat similar to fellow LA residents The Fortress Social Club that we reviewed recently, Holy Folk grew from a studio collaboration into a rock band with a lot of variety in style and tempo, a ton of talent and a way with pop hooks. There's something about studio musicians getting together to put their own ideas on record - they bring not only a familiarity with different styles, but a real sense of purpose that shows through in the music. All four of them write, and that contributes to the variety of sounds and styles on Motioning.

The opening track "A Moment Here" is reminiscent of The Nitty Gritty Dirt Band or The Band, with pedal steel, banjo, violin and slow and easy harmony vocals in a song about reaping and sowing.

"Time Lapse" has a more pop style, with more synths than the opener, and soulful vocal harmonies that would not be out of place on something by Brian Wilson or Todd Rundgren.  Track 3, "All's Forgotten" is an uptempo country rock tune with emphasis on electric guitar, piano and a pretty much straight-ahead rock vocal. And the record carries on in similar fashion, swinging back and forth from up- to down-tempo, some songs featuring swells of strings and others more straight-ahead rock instrumentation. The common factor, other than the overall high quality of the songwriting, is that most of the songs feature some terrific vocal harmonies. It's clear that these four enjoy working together, and that makes for a very enjoyable debut record.

You can get a free download of “Jump The Rails”, which gives a good example of the uptempo stuff - with some real rock energy, good piano work and those great harmonies. And here they are performing it live on AXS Live:

Holy Folk is absolutely a band to watch. It's not often a debut album arrives with this kind of variety, quality and assuredness. Motioning is available now - you can listen to it, and learn more, at their website.

Holy Folk website

New Folk/Pop Discovery: k.s. Rhoads - "Orphaned" from The Wilderness EP

I've really been enjoying the music of Nashville's k.s. Rhoads - he's got a big sound and a good voice. And though I don't usually get too concerned with the lyrics, he can sure turn a phrase. Sample lyric:

We work ourselves wretched for one old wood coffin,
if life doesn't get you, love will finish you off

Though the voice is not the same, he reminds me a bit of Billy Bragg. Some very pleasing music combined with some very serious, maybe subversive lyrics. Here's the video for "Orphaned":





Here's another track from the album, "Harvest":




It's creative stuff - the beats, the string interlude, the whistling all combine with his vocals to make a sound that is both catchy and lasting. On other tracks, the piano and vocal are accented, and his songcraft and voice carry those, too. The EP is The Wilderness, and it's available now (released Mar. 8). A couple of free song downloads are available at his website, as well as more info about previous releases.

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"Where I'm Calling From" by Franco and the Dreadnought

We recently featured a song written by John Blaylock aka Franco and the Dreadnought and Mercury Prize nominee Kathryn Williams.  It seems that the fruitful writing session produced this gem as well.  So enjoy "Where I'm Calling From".


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REVIEW: William Tyler - Impossible Truth

We wrote about William Tyler's Impossible Truth on Feb. 2 (WYMA post here). The album is out this week on Merge. It's an expansive, beautiful, somewhat psychedelic and decidedly American album. No words, just guitars - but it's no less evocative for that. In fact, I think that eschewing vocals allows Tyler to use the dizzying variety of guitar styles and rhythms to bring up his emotional reaction to America at present, and to bring up memories and ghosts of America past. It really is amazing how one man with one guitar (accompanied strategically by another guitar here and there) can cover so much ground.

Check out "Cadillac Desert":



He's channelling John Fahey, Skip James and, certainly, contemporaries like David Pajo, Silver Jews and Will Oldham (the latter two with whom he's played on previous projects), but he's taking the tradition and going in his own direction. This is very thoughtful music - well-played, with exquisite use of both sound and silence.

Here's a video of Tyler playing "We Can't Go Home Again" from Shaker Steps:



The album was recorded and mixed at Beech House in Nashville and co-produced by Tyler and Mark Nevers and features guest appearances from Chris Scruggs, Luke Schneider, Roy Agee, and Scott Martin. It's highly recommended - both the album, and any opportunity you have to see him live. He's on tour:

Apr 04 Winston-Salem, NC – Phuzz Phest
Apr 09 Athens, GA – Green Room
Apr 10 Asheville, NC – Double Crown
Apr 11 Durham, NC – The Pinhook
Apr 12 Washington, DC – 9th and the Beats
Apr 13 Kingston, NY – BSP (w/ Richard Buckner)
Apr 14 Philadelphia, PA – Ortlieb’s
Apr 16 New York, NY – Mercury Lounge (early show)
Apr 17 Portland, ME – Space Gallery
Apr 18 Cambridge, MA – Middle East Upstairs
Apr 19 Montreal, QC – O Patro Vys
Apr 20 Toronto, ON – Silver Dollar
Apr 21 Cleveland, OH – Happy Dog
Apr 22 Detroit, MI – Lager House
Apr 23 Grand Rapids, MI – The Pyramid Scheme
Apr 24 Iowa City, IA – Trumpet Blossom Cafe
Apr 25 Minneapolis, MN – First Avenue and 7th St Entry
Apr 26 Chicago, IL – Hideout
Apr 27 Indianapolis, IN – Do317 Lounge

And, for now, you can stream it at Merge's website, so you can listen before you buy.

William Tyler at Merge Records

REVIEW: Waxahatchee - Cerulean Salt

Waxahatchee is Katie Crutchfield, with backing from Keith Spencer, Kyle Gilbride, and her twin sister, Allison Crutchfield. But it's Katie Crutchfield first and foremost. Her voice (both her songwriting voice and her terrific singing voice) is the anchor. Thought this album is arranged with a really good rhythm section and post-punk guitars, nothing drowns her out... and that is as it should be.

Crutchfield is a rare talent, and knowledge of that seems to be gaining rapidly. Though I haven't seen it, I expect some will make a comparison between Crutchfield and Liz Phair. I'd endorse that - both are marked by a frankness that is sometimes overwhelming for a casual music listener, but both also make fantastic rock music that - whether you go looking for soul-baring poetry or not - just absolutely compels you to listen.

It's hard to pick a favorite song - there isn't a bad one on the record - but some lyrics bubble up out of the mix and some of the guitar lines are irresistible.

Regarding the lyrics, specifically, check out "Brother Bryan": "We're only 30% dead" (and here we were thinking about how young you are, Katie!) and "We destroy all of our esteem". Enjoying this music, I find myself hoping she's only singing about self-destruction - because we need her to keep making records.

Regarding the guitars, "Coast to Coast" is a gem, start to finish,



Another highlight: the spare strumming behind the stark vocal of the intro to "Peace and Quiet", feeding into a full-on band attack with what sounds like Crutchfield's voice double-tracked in the chorus:



And the swinging acoustic/electric interplay of "Lips and Limbs" is notable - but, again, everything on Cerulean Salt is notable in one way or another. Especially that voice. Looking forward to hearing lots more from her.

It's available from Don Giovanni Records, having been released Tuesday Mar. 5.

REVIEW: The Mariner's Children - Sycamore EP

The Sycamore EP presents some challenges to the blogger's tendency to categorize music.  I suppose alternative folk or folk rock come close, but neither truly captures the scope or spirit of the UK's The Mariner's Children.  The record's centerpiece, "In My Bed" features a blusey lead vocals with Arcade Fire-like choruses, making good use of the talents of a large compliment of players.



And if you prefer, here is the video for "In My Bed" --

And while "In My Bed" is likely to attract the most attention, the other three tracks offer rich musical textures and sophisticated vocals.  Together, they convey tension and intensity.  Here is a live version of the second track, "Wolves Within the Wood" --

Sycamore EP is released by Broken Sound Music.  Even if you usually don't venture to the folk side of the pop scale, this one is worth a chance.

The Mariner's Children are Ben Rubinstein (vocals/guitar/banjo), Daniel Matthews (guitar/banjo/mandolin/accordion), Becca Mears (cello), Emma Kraemer (violin), Marcus Hamblett (bass), Emma Gatrill (vocals/glockenspiel), and Felix Weldon (drums).  A full length album is planned for later this year.

The band's current tour dates are as follows:

03.03.2013 - Wedgewood Rooms, Portsmouth (supporting Willy Mason)
04.03.2013 - Phoenix, Exeter (supporting Willy Mason)
05.03.2013 - Glee Club, Cardiff (supporting Willy Mason)
07.03.2013 - Koko, London (supporting Willy Mason)
08.03.2013 - The Wardrobe, Leeds (supporting Willy Mason)
09.03.2013 - Gateshead Old Town Hall, Newcastle (supporting Willy Mason)
10.03.2013 - Oran Mor, Glasgow (supporting Willy Mason)
12.03.2013 - The Kazimier, Liverpool (supporting Willy Mason)
13.03.2013 - Rescue Rooms, Nottingham (supporting Willy Mason)
14.03.2013 - Whelans, Dublin (supporting Willy Mason)
15.03.2013 - Limelight, Belfast (supporting Willy Mason)
18.03.2013 - The Lexington, London (Sycamore EP launch with special guests)

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Solvents - New song "Careless Step" from upcoming Ghetto Moon

We've featured Solvents previously on WYMA (here and here), and I have really enjoyed the way they  drew the songs out, and the way they combined rock guitar and violin. Not surprising that they play well together - the core of the group is husband/wife team Jarrod Bramson and Emily Madden. Well, they were the core of the group, now it appears they are the whole group. As you can hear on "Careless Step", they have stripped down their sound a bit:



Removing some of the loudness and highlighting the violin was the goal, and they went into the studio with Karl Blau to achieve it. While I did enjoy the more "rock" sound of their previous music, I will say that on this song, they've achieved the goal of highlighting her violin and his voice - and their approach makes a lot of sense. I'd compare it to the approach employed by Gillian Welch and David Rawlings - with acoustic instrumentation and vocals, because of the way their songs are built, they're able to embody a sound that, while spare and using space well, is extremely full. Looking forward to hearing the rest of the new record. Ghetto Moon will be out March 19 on Bee Resin Records.

Introducing: Haiku Salut

Gemma, Louise and Sophie, three women from the UK's Derbyshire Dales, form Haiku Salut.  Their music really is its own genre - experimental, baroque, instrumental music with folk and electronic elements.  Instruments include, but probably are not limited to, loop pedals, accordions, and melodicas.

Their album Tricolore will be out in March on London's How Does It Feel To Be Loved label.  The single "Los Elefantes" was released in January, and is available as a free download here below.  It is a gorgeous song and I look forward to the album.



The single also is the subject of this fine video --


Haiku Salut - Los Elefantes from Haiku Salut on Vimeo.

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Lambchop's William Tyler has new track "Cadillac Desert" available now, album in March

 

William Tyler is a Nashville guitar player - well, that's not saying much, is it? I mean, didn't John Sebastian say there were thirteen-hundred and fifty-two of them? Let me go a little further - William is an outstanding guitar player and is recognized as such, even in Nashville. He's played with Lambchop, Silver Jews, Candi Staton... and more. He also has a solo album - Impossible Truth - due out in March, and it's full of reasons to understand why Tyler stands tall in Guitar Town.

Here's a track, the 6:34 "Cadillac Desert". It's a bit of a wanderer - meandering between acoustic guitar with feedback to acoustic guitar with washes of pedal steel behind. A bit reminiscent of Richard Buckner's Devotion + Doubt, or going back a little further, the blues-based acoustic work of John Fahey (but with some distortion/feedback plus pedal steel). This is beautiful stuff.



It'll be on Merge Records - and you can pre-order now.

REVIEW: Wake Owl - Wild Country EP

Wake Owl is singer/songwriter Colyn Cameron, native of Vancouver and current resident of Portland, along with Aiden Briscall (violin, electric guitar), Josh Daignault (bass, clarinet), and Andy Shauf (drums, clarinet). Their new EP is out today (Jan. 29) on Vagrant Records.

We've written about them before - since first discovering them back in the fall (WYMA Post here) and again recently, when the video for the lead track, "Gold" was released (WYMA Post here).

And for another take, here's a remix of "Gold" by Noah Hyde/Magic Sword:



What we liked about that first song, and now the rest of the EP, is Cameron's strong clear, voice and the clarity with which the group plays. Like Gillian Welch and David Rawlings, Wake Owl put everything right up front - nothing is obscured, and it all fits together well.

Here they are performing "Gold" recently - proof, if needed, that Cameron will be able to bring his strong but delicate music across in a live setting:



You'll be able to catch them live in February and March:

FEB. 8 SEATTLE, WA SUNSET TAVERN

FEB. 9 PORTLAND, OR BUNK BAR

FEB. 14 MINNEAPOLIS, MN 7^th STREET ENTRY

FEB. 16 MILWAUKEE, WI CACTUS CLUB*

FEB. 17 CHICAGO, IL OLD TOWN SCHOOL OF FOLK

FEB. 20 BOSTON, MA CAFÉ 939

FEB. 22 NEW YORK, NY ROCKWOOD MUSIC HALL (Stage 2)

FEB. 23 PHILADELPHIA, PA FIRST UNITARIAN CHURCH

FEB. 25 VIENNA, VA JAMMIN JAVA

FEB. 26 PITTSBURGH, PA BRILLOBOX

FEB. 28 NASHVILLE, TN BASEMENT

MAR. 3 KANSAS CITY, MO RIOT ROOM

MAR. 4 DENVER, CO HI-DIVE

MAR. 7 LOS ANGELES, CA HOTEL CAFÉ

MAR. 8 SAN FRANCISCO, CA HOTEL UTAH

MAR. 9 SANTA CRUZ, CA CREPE PLACE

You can now buy the EP at iTunes or at Amazon.

Wake Owl website