Friday, October 2, 2020

Scott & Charlene's Wedding - Live at The Tote

Ah, the weekend is here. Everyone ready for some live music. Oh, that's right, there isn't much live music these days. But we are all about public service here, so we are going to offer a very satisfying substitute. It just happens that one of our favorite bands, Melbourne's Scott & Charlene's Wedding, played a live gig at The Tote this past January. And it also just happens that the performance was captured on tape with, to our ears, excellent sound quality. Known for their impeccable taste, the good people at Bedroom Suck Records swooped up the rights to release the performance, and now has unleashed Live At The Tote for our weekend almost live show pleasure.

If you aren't familiar with this band, here is an introduction. The main man is Craig Dermody -- singer, songwriter, painter, and all-around good dude. His musical approach is a somewhat rough-edged and charmingly disheveled singer-songwriter-as-indie-rocker. The compositions are warm, heartfelt and infused with humanity. The current version of the band includes Jack Farley (bass), Ela Stiles (guitar), and Joe Alexander (drums). And for this recording they were joined by former member Gill Tucker (guitar). So obviously, there is a lot of rumbling, snarling guitar riding a solid rhythm, and the energy leaps out of the speakers. You might even get the sense that there is beer sticking your shoes to the floor. It might be your imagination, but it may just as well be your own beer when as you started grooving to one of the best live recordings you have heard in a long time. 

In the main the songs are fast-paced and raucous, while still managing a common man lyricism. But there are tender moments like "Scrambled Eggs" as well. Good God, we love this album!

Live At The Tote is available in digital and cassette formats. See the Bandcamp link, and rock on.










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Tuesday, September 29, 2020

Dollar Bar - Pyrrhic Victory


One might think that the COVID induced working from home would have improved our blog output. However, while it has increased readership as home office workers feel more comfortable, and bored enough, to check-in more regularly, we haven't kept pace. Part of the problem is that without a clear demarcation between work and home, we find ourselves working at times when we normally wouldn't (no wonder the managing partner is in no hurry to call us all back to the office and slurp the free coffee). And we also have more access to the great outdoors of which we have made frequents use. Yes, we do work out, thanks for noticing. So with apologies to several fine bands, we are going to try to reach back and highlight some worthy music.

And first on the list is Pyrrhic Victory, the fourth and final album from Brisbane's Dollar Bar. Why "final"? We don't know. But we do know that this is an excellent album and if it is their exit music, they are leaving at the top of their game. They launch with a couple of rocking tunes so appealing that the we could wonder whether the band has used their musical ammunition too soon, but instead our smiles get bigger as we bounce to the power pop segment of "Cops On Ferrars", the very GBV-esque "James Brown", the '60s tinted "Paddington Workers Club", and "Not A Dig". Desert rock is on offer with "The House of the Rising Damp". The splendid tracks keep coming and we become even more remorseful at not alerting you to this album sooner. Save our blushes and go get it. NOW.

Dollar Bar is Dale Peachey (guitar/vocals), Chris Yates (guitar/vocals), Patrick McCabe (bass/vocals), and Brendan Rosenstengel (drums).










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Monday, September 28, 2020

Ezrat - Carousel

Bands come and go. For example, we were fond of indie jangle poppers EZTV, but they drifted off the radar and are now in the 'former band' category. But sometimes, bands transform and comeback. To continue with our example, Ezra Tenenbaum, the songwiter and main man behind EZTV is back in the guise of Ezrat. The project is not quite solo, as percussionist Michael Stasiak from EZTV has come along. The fruits of their labor is the 12-track Carousel, which at this very moment is pleasuring our eager ears. The songs, which were recorded with the assistance of a formidable roster of Brooklyn talent (see the credits on the Bandcamp page), retain some of the jangle of EZTV but Ezra also infused these gently melancholy creations with an ample dose of dream pop. The result is a fine album perfect for the Indian Summer days of Fall, which is where we find ourselves at WYMA World Headquarters.

Carousel is out now via Madrid's Bobo Intregal Records.








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Bandcamp for Carousel