Friday, August 15, 2014

REVIEW: Cosines - Oscillations

Cosines are a guitar and synth pop band from London, named after Carole King's doo wop group from the '60s and making quite a name for themselves at festivals and shows this year.  And based on their debut LP Oscillations, the buzz is well-deserved.  The songs are very engaging, with affecting emotion in the (mostly female) vocals, hummable melodies, hooks, and a very adept feel for dynamic changes over the course of the songs.  There are elements of the sweetness and fuzzy guitars of a straight indie pop group, but also clear currents of more forward-looking pop as well, as may be expected from a group that considers themselves 'math pop'.   Thematically, the album charts the chaos of young relationships, and I think it is about as good a soundtrack for that subject as I've heard in a while.  A few tracks below demonstrate the band's range and quality, but if you only have time for one, get lost in the wonder of "Our Ghosts".

Cosines are Alice Hubley, Daniel Chapman, Simon Nelson, The Late Jonny Drums (yes, that's what it says), and Kajsa Tretow.  Oscillations is out now via Fika Recordings.




Cosines - Commuter Love from Fika Recordings on Vimeo.



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"Go Back" from Chase City

We here at WYMA look far and wide for ways to improve your weekend.  Today's guaranteed jump-start is Chase City, a quartet from Hobart, Tasmania.  Tarik Stoneman (vocals), Michael Snape (drums), Peter Snape (guitar) and Jed Appleton (bass) craft music that is irrepressibly bouncy and energetic.  Their latest effort is "Go Back", which features a multitude of hooks that grab you  for a 2:41 ride that makes you feel young and happy.  You'll likely play it many times, so get comfortable.





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Rolling Stones Friday: Street Fighting Man


Perhaps the only positive thing that can be said about the Vietnam War was that the outrage and chaos around it created some great music. Mick Jagger was inspired to write "Street Fighting Man" in 1968 after witnessing a huge and intense anti-war protest in Grosvenor Square in London, where 86 were injured and 200 arrested.

"Street Fighting Man' is for good reason considered one of the Rolling Stones greatest achievements, a stunning and powerful piece of music that was the centerpiece of the great Beggars Banquet LP. Among its many strengths is its ambiguity, completing avoiding the trap of most political songs that leave nothing to the imagination. It seems to start as a call to action, the darker more violent cousin to Martha and the Vandellas "Dancing in the Streets": "Everywhere I hear the sound of marching, charging feet, boy / Cause summer's here and the time is right for fighting in the streets, boy".  But just a few lines later, resignation sets in, or is withdrawal, or pacificism, or cowardice?: "Well now what can a poor boy do, Except to sing for a rock & roll band? /  Cause in sleepy London Town there's just no place for a street fighting man, no."

The music is just as striking, the song just leaping out of the speakers, raw and powerful, despite the complete absence of any electric instruments except the bass. Keith Richards created the distorted guitar sound by recording layers of acoustic guitars through a mono cassette recorder. Meanwhile Charlie Watts is playing deliberately off-kilter rhythms on a very small, antique drum kit that came up in a suitcase, set up on top of the cassette recorder and miked up to sound extra loud. Add Brian Jones' sitar, Nicky Hopkin's piano (sounds especially cool in the outro) and Dave Mason playing Shehnai, an Indian double reed oboe, and you have one jarringly unique sound on par with the urgency taking place in the streets of most major cities in the Western world in 1968.

Okay enough of my yacking. "Get down":


The song is a staple of the Stones' live shows. And wow, are there are a great many live versions to chose from. But this one from 1972 is strong:


The song is greatly admired. Bruce Springsteen likes to cover it in his concerts and once said: "That one line, 'What can a poor boy do but sing in a rock and roll band?' is one of the greatest rock and roll lines of all time. ... [The song] has that edge-of-the-cliff thing when you hit it. And it's funny; it's got humor to it." But the best cover I came upon was by the Stones' little brothers, Oasis, audio version only, terrific:


Thursday, August 14, 2014

Introducing: Palms On Fire

Palms On Fire is a pop group from Russia.  Attempting to capture your hearts, or at least your ears, they are offering their self-titled EP at "name your price at their Bandcamp page.  It contains four bright tracks with female vocals and major chord melodies to brighten your day.


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Free Time - Esoteric Tizz 7"

Next week Dion Nania's Australian-American project Free Time will release its first new music since last year's excellent self-titled debut (review here).  We featured the second track, "Guess Work", a few weeks ago, but we now can share both tracks.  The title track is an upbeat, hooky guitar pop song with some guitar-god flourishes.  It makes me want to hang on to summer a bit longer.  "Guess Work" is a charming, laid-back romantic tune that balances "Esoteric Tizz" perfectly.

The Esoteric Tizz 7" will be released on August 19, but label Underwater Peoples is taking pre-orders now.




For the 7", Free Time was Dion Nania (guitar/vocals), Jonah Maurer (guitar), Mike Mimoun (drums), and Adrienne Humblet (bass).  Going forward, Eric Harm will be playing bass.

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Underwater Peoples' pre-order page

Wednesday, August 13, 2014

REVIEW: Peter Rowan - Dharma Blues


Peter Rowan is a roots music giant - as lead singer of Old And In The Way, his warm, straight country vocal approach was perhaps the single best thing about a group that also included Jerry Garcia on banjo, Vassar Clemens on fiddle and the transcendent David Grisman on mandolin. All that said, Rowan's singing was what always distinguished their versions of "Wild Horses" and the like. And Rowan originals like "Midnight Moonlight" and "Panama Red" were so right, they just seemed like songs cowboys must have brought home from the range. He always seemed wise, mature and mellow. And of course, so he is. On his latest album, Dharma Blues, Rowan is dusting off all his musical and creative tools and putting them to work in service of an album that is really, like the best of Rowan's work, unforgettable.

From the opening track, so much about this album just feels right. That a capella opening - just right. The transition into a full, rocking country band with a gracious pedal steel played by Dave Easley - just right. And Gillian Welch's vocals on several tracks here - absolutely just right.

Here is Welch accompanying Rowan on "Raven", a spiritual meditation based in part on Poe's poem. Rowan's been playing this live for years, but for this recording, his harmonies with Welch add a wonderful touch:



Throughout the album, Rowan deftly combines Eastern themes (both musical and spiritual) with his time-honored bluegrass and country chops and a California country-rock sound you'd expect from a teaming of Rowan and Jack Casady, whose work with Jefferson Airplane and Hot Tuna bring almost as much gravitas to this project as Rowan's history. Recorded in Los Angeles and New Orleans as well as Rowan's home base of Sausalito, Dharma Blues features twelve new Rowan songs. In addition to Casady, Welch and Easley's contributions, Jody Stetcher (David Bromberg, Jerry Jeff Walker) played banjo and tamboura. The tamboura is a key ingredient of the title track, and several others here.

The best thing about the record is that, far from being weighted with expectations and history, it soars with a pleasure and joy that's hard to describe, but easy to feel on the very first listen. In Rowan's words: “The doubts and resolutions of the spiritual journey are what drive Dharma Blues. May this music bring joy to all.” It is out now (released in June) on Omnivore Recordings.

Peter Rowan website
Dharma Blues at Omnivore Records

"High Tide Low Tide" from The Vaselines

The release date for the second LP from Glasgow's The Vaselines since Frances and Eugene resurrected the band a few years ago is still over a month in the future.  But they have unveiled the second track to keep fans from rioting in the streets while waiting for V For Vaselines.  Enjoy it here and look for the album, and our review of the album, in late September.  The duo were assisted by members of Belle & Sebastian, Teenage Fanclub and Sons & Daughters, among others, and we expect songs that are engaging, wryly humorous, irreverent and probably at times naughty.  We like all of that in songs.



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Tuesday, August 12, 2014

Temporary, a Dunedin Sampler from Fishrider Records

Supporting emerging music is what we do here, so we are very happy to see a project like Temporary.  The simple concept is to showcase young talent from the fertile music scene of Dunedin, New Zealand.  Dunedin, the second largest city on New Zealand's south island, has a population of about 126,000 and a rich rock music tradition.  The foundations of that reputation were laid by bands such at The Clean, The Bats, The Chills, The Verlaines, and Toy Love.  However, the focus here is on current bands, emerging talent that deserve to have their voices heard.

The collection is curated by Ian Henderson, a kindred spirit who in addition to being the Global CEO of Dunedin's Fishrider Records, devotes his time, money, production skills, engineering skills, drumming, driving, vehicle and even his basement to aid the dreams of aspiring musicians.  The music here is a diverse offering of musical styles from jangle pop to darkwave, and previously has appeared on various releases from several different labels.  The common denominator is that it is good, and fresh.  Fishrider's Bandcamp page currently makes two tracks available to stream, "All Over the World" by The Prophet Hens and "Winded" by Kane Strang.  However, I want to reveal the overall strength of the album, so I also included the songs from Mavis Gary and Death and the Maiden (I hope Ian forgives me for grabbing an embed from prior releases of the songs).

I'm a big fan of this release. Most of the bands are familiar to me and have featured on these pages over the past couple of years.  Some were welcome new discoveries.  However, new to you or not, this collection represents your only chance to get a representative song from all of these bands.  The release is available in vinyl or CD or formats, and come with a collectible DIY zine including photos, art and other items created by the bands.  In an inspired move, Fishrider has avoided high import prices for the American market by partnering with New York label Ba Da Bing Records.  Temporary is available for pre-order now from Fishrider's Bandcamp page or Ba Da Bing, links for both are provided below.  It eventually will be available in Europe from British label Occultation.










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Fishrider Records
Ba Da Bing order page
Ba Da Bing Records
Occultation

"Istanbul" from Jakil

Here is a refreshing guitar pop song with a bouncy groove and a good helping of soul stylings.  The song is "Istanbul" and the band is Jakil.  "Istanbul" will be released on September 28 via Sticky Lips Music.  Jakil are from Edinburgh, although they now reside in London.  Its members are Kieran Grant (bass), Kieran O'Brien (lead vocals), Callum Paterson (drums), Jamie Robertson (guitar/backing vocals), and Liam Narrie (guitar/backing vocals).



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Monday, August 11, 2014

New Jazz Trio Discovery - Larry Goldings/Peter Bernstein/Bill Stewart - Ramshackle Serenade


As I have shared here before, I am not a jazz critic. However, I sure do appreciate good jazz, and when the opportunity arises, I'm happy to share new recordings with WYMA's readers. It's been my experience that piano trios or quartets tend to make my favorite records (excepting Coltrane, of course), but occasionally we come across a group led by a Hammond B3 player like Larry Goldings, and you are going to want to check out this trio: Golding on organ, Peter Bernstein on guitar and Bill Stewart on drums. They've recorded together for years and together have produced some world-class music. Their latest is Ramshackle Serenade.

Here's a short video featuring some discussion and some clips of the players - it gives a good idea of their approach and the album's sound, which is pristine:



This is not just a good,solid jazz album by some very good veteran players -- there is greatness here. From the inspired covers like Jobim's "Luiza" and Horace Silver's "Peace", plus the standard "Sweet and Lovely", to the sweet originals: album opener "Roach", a Goldings composition which gives Stewart ample opportunities to show off his chops, and Bernstein's "Simple as That", which is pretty straight ahead. Actually, it's mostly originals and they stand up very well.

Here's the album closer, "Peace" - just beautiful:



The album's out now (released in late June) on Pirouet Records.

Ramshackle Serenade at Pirouet Records website

REVIEW: Black Lizard - Burning EP

Black Lizard's Burning EP is the perfect use of the EP format.  In four tracks the Helsinki-based quartet build on the foundations set in their self-titled debut LP and explore the fringes of their territory.  Where the 2013 album displayed a masterful vocabulary of thick, crunchy and noisy psychedelia reminiscent of The Jesus and Mary Chain, Spaceman 3, Brian Jonestown Massacre and Black Rebel Motorcycle Club, the Burning EP takes us into the quieter, more sparsely adorned territory that infused BRMC's Howl Sessions or, in my view one of the most interesting albums in my collection, TJ&MC's The Power of Negative Thinking (a collections of B-sides, demos and rarities).  The pace is slower, the instruments more restrained and with greater use of electronics.  The vocals are measured and, on the title track, low in the mix.  The vitality is derived from the judiciously applied textures and insistent bass and percussion, while the vocals and guitars create a moody swirl.

The first track is "Can't You Hear it", which begins with a bluesy acoustic guitar figure and builds to full-blooded, chugging psychedelia.  The following title track is available for you to stream below in its bass-heavy glory.



"Turquoise" is a psychedelic dream pop tune, with acoustic guitar and vibrato effects on the vocals.  It is a lovely song and one of the EP highlights.  The closing track is the stately "Long Gone", combining synths, guitar, and guest vocals from Henna Emilia Hietamaki.

Black Lizard is Paltsa-Kai Salama (vocals/guitar), Joni Seppanen (guitars/keys), Lauri Lyytinen (bass), and Onni Nieminen (drums/percussion).  Burning EP is released via Soliti Music.

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Sunday, August 10, 2014

REVIEW: Gramercy Arms - The Seasons of Love


Gramercy Arms is a revolving cast of well-known artists based in NYC and led by Dave Derby, who spent time with Dambuilders and Lloyd Cole, among others. Their second album is The Seasons of Love. Cole is in the cast here, along with Joan Wasser (Joan as Policewoman), Doug Gillard and Kevin March of GbV and Tanya Donnelly, to name just a few. While the large cast does bring some variety to the sound, Derby's done a great job of tying it all together. The general approach is very upbeat and poppy, but this cast has the talent to make upbeat, poppy music that sticks.

Here's the lead track, "Always In Love" - a bouncy, guitar and piano approach with horns scattered throughout back Derby's just-right vocal. For most of the song, he sounds just tremendously cynical and burnt-out, but at the end he reveals his real desire. Hey, that's the first step, right?



Here's the video for "Beautiful Disguise" - Lloyd Cole and Joan Wasser (Joan as Policewoman) play wonderfully together, as a pair that just can't seem to get through to one another:





Other highlights include "Winterlight", which is as light, airy and catchy a song as you will hear this year, and "Novemberlong", which features some terrific vocal harmonies throughout and is propelled nicely by piano on the beat with the drums (and more of those bright-sounding horn parts throughout). There are some pretty ballads, too - "Playing With Fire" calls to mind that great collaboration of Ronnie Lane and Pete Townshend, Rough Mix. And the title cut has a Brazilian lilt - ethereal vocal harmonies over a gently rocking Latin rhythm. I could keep naming songs, but I'd be saying the same thing. They're all well-written and very well-realized.

The Seasons of Love is out now (July 22, 2014) on Reveal Records. It's a terrific pop record - perfectly suitable for driving, or just walking on a sunny day.

Gramercy Arms website
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"Fools Gold Rush" from The Naysayers

We are unabashed fans of garage rock here at WYMA, so we are always happy to feature it on the blog.  And it doesn't matter where it's from.  As long as it is well done, greasy, lo-fi, nuggety garage rock, it is welcome.  Today's contribution is from Melbourne's The Naysayers.  Astute readers might remember that we featured their Dee Eye Why EP last September (here).   The happy news is that the band has just released the two-track "Fools Gold Rush" single, and it is available at Bandcamp for "name your price".  The title track is good old fashioned garage rock bashing.  The second track, "Molotov Fairytale", has more of a pop feel, although decidedly still in the band's lo-fi, DIY groove.  We think everyone should have some of The Naysayers in their collection, and these tracks prove us right.

The members of the band are Nathaniel Parbery (vocals/bass), Gordon Holland (vocals/guitar), Simon Gemmill (drums), and Harrie Kingston (guitar/vocals).





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Bandcamp for "Fools Gold Rush"
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