Saturday, February 16, 2013

Review: Country Mice - Hour of the Wolf


Perhaps because following in the footsteps of rock legends like Tom Petty, Neil Young & Crazy Horse, Bob Dylan, R.E.M., and Wilco is such a daunting and seemingly impossible task, few bands seem willing to even try.  Thankfully, Brooklyn-based Country Mice has accepted the challenge and, on their soon to be released second album, Hour of the Wolf, Country Mice has produced remarkable and refreshing American rock, much like Uncle Tupelo during their short but spectacular existence.  Recording with talented and experienced producer Doug Boehm at the controls, Country Mice (Jason Rueger (guitar, lead vocals), Ben Bullington (guitar, vocals), Kurt Kuehn (drums), and Mike Feldman (bass)) have produced a record that should make Country Mice known to a much broader audience than indie rockers digging around the internet for hidden gems.

There are no soft spots on Hour of the Wolf, but it does have its extra high points. "Feathers" starts things off with Crazy Horse inspired rocker that any self-respecting Neil Young fan would have been happy to hear on any of Neil's recent albums.  "Your Black Crow" alternates between a soothing Automatic for the People era verses and a heavy, southern rock guitar laden chorus.  "Giving Your Heart Away" (which can be heard here) rivals some of Tom Petty's most elegant and catchy tunes.  "What You've Done" is a heavy barroom stomper.  "The Wicked" blesses us with another dose of Crazy Horse guitars and riffs accompanied by a seemingly Petty-inspired chorus.  Finally, Rueger closes the record with the graceful and beautiful acoustic "Ash."

With well written and memorable songs, stellar and sometimes searing guitars, and excellent rhythm section work, Hour of the Wolf is a must-have record for fans of rock and roll in its purest form.  Unfortunately, other than the link above, I cannot seem to find much online that can be listened to in advance its release.  Thankfully, you can get your own copy of it soon when it is released on February 19.

In the meantime, enjoy a few tracks from Country Mice's excellent prior album, Twister.


Follow Country Mice on Twitter here and/or on Facebook here.

Saturday Bonus - "You Are The Everything" (Decemberists, Ben Gibbard, Peter Buck)

At John Wesley Harding's wildly entertaining "Cabinet of Wonders" show Wednesday night in Portland, the theme was love songs. The Decemberists served as the house band, joined by a variety of singers, including kd lang, Sallie Ford, Laura Veirs, Scott McCaughey and others.

The entire show was spectacular, but a major highlight was Colin Meloy and Ben Gibbard (Death Cab for Cutie) sharing the vocals on R.E.M.'s "You Are The Everything" which Meloy introduced as one of his favorites.  Peter Buck's mandolin playing gave it an extra dose of authenticity.

You Are the Everything from vivian johnson on Vimeo.

You Are The Everything performance

The show was a benefit for My Music Rx, a terrific organization that brings music to children undergoing serious illnesses. Check them out.

R.E.M.'s web page mentioned the event and gave a nice shout out to the WYMA blog - much appreciated!




Introducing: The Stevens


The Stevens have a raw indie rock sound with a melodic core that may remind the listener of Pavement, or Seattle's Young Fresh Fellows.  They also serve as a reminder that the pop music scene in Melbourne is among the finest on the globe right now.  But back to The Stevens - primary members Alex MacFarlane and Travis MacDonald and their mates released a self-titled EP in 2012 on CD-R and cassette.  Since then, the guys have gone big time and signed with Chapter Music. Chapter is releasing the EP on 7" vinyl (with a download code) on April 5, but it is available in digital form on Bandcamp at this very minute.

The gang is planning an LP for later this year, and based on what I've heard from the Bandcamp link, I am looking forward to it.  However - and maybe I'm just wired this way - I love the sound of the raw EP and, more generally, I love to discover bands at the early stages.  If you think like I do, the EP might be a very good choice.  In any case, pour a cup of coffee or crack a beer and listen to The Stevens.  It will make for a better weekend.



Stream the full EP below --



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Friday, February 15, 2013

REVIEW: Kelly Willis and Bruce Robison - Cheater's Game


Kelly Willis and Bruce Robison are a couple of super-talented Texans who have each been making some wonderful country music for years, but together, make magic. He is a worthy participant in the grand Texas troubadour tradition with some huge country hits to his credit as a writer, she's a very traditional-sounding country vocalist with a truly great voice. For their latest record, a duet called Cheater's Game, they traveled to Nashville to work with Brad Jones at his Alex The Great studio. Jones' credits include a who's who of singer/songwriters and indie rockers, and this was an inspired pairing.

Cheater's Game is an album of about half covers and half originals and it's the first true duet album they've done, although as Willis points out, "We've always been part of each other's records." As for the reason they've not done this before, it's very understandable. Willis again: "But we're also our own people. We've always been very careful about not losing sight of that."

All that said, they are even better together than they've been individually. On this record, the whole is truly more than the sum of all its parts. You don't listen for certain things, although certain things (Willis' voice, Robison's great way with a chorus/verse transition, great pedal steel all over this thing) do stand out. But it all flows together so well, if you didn't know who wrote which song, you'd never be able to tell by listening.

They cover Dave Alvin, Robert Earl Keen, Don Williams ("We're All The Way" is, maybe, my favorite track on the record), Razzy Bayley and Hayes Carll. And Robison co-wrote songs with Miles Zuniga (Fastball) and Lawrence Shoberg -and, as expected, Robison's songs stand up very well next to the songs they borrowed from these country songwriting giants.

Here's a video of them performing "9,999,999 Tears" - she's a tremendous vocalist, and I especially like the pedal steel in this song:



I particularly enjoyed their take on Dave Alvin's "Border Radio" - Bruce on lead vocal:



Here's a nice article from their hometown Austin American-Statesman giving some background on the making of the record. And I agree with the author, this is a great, truly timeless-sounding country record. Cheater's Game is available now (released earlier this week) via Thirty Tigers, and they'll be on tour soon - tour dates at their website here.



Weepikes - back with some more Finnish Pronk!


Last April, we heard from Finland's prog/punk Weepikes - they had resurrected their band after a 16 year hiatus - and we happily shared the music with our readers. WYMA post here.

They've got some new music - it can be heard, bought and downloaded at their Bandcamp site.

Here's my favorite track, "Paranoid":




And here's "Bad Valentine" which they are currently giving away as a taster of the album. It is a good example of their sound:





Lo-fi vocals, heavy rhythm section, with insistent guitars throughout - I'll say it again, this is manna to a fan of the Pixies, GbV and the like.


REVIEW: The Redwood Plan - Green Light Go


We enjoy a large number of submissions from which to choose when deciding what to cover on When You Motor Away.  But since four of the six of us have law degrees, we are inclined to give a special look when one of our fellow lawyers is on the business side of the microphone.  And if she jumps the line a bit, chalk it up to professional courtesy.  Since I'm the Seattle lawyer, I win the right to cover Green Light Go, the new album from Seattle's The Redwood Plan.

Lesli Wood is a known and respected figure in the Puget Sound rock world.  Her latest venture album takes her riot girl stylings and punk roots and marries them into the rhythms of the dance floor.  The result is a bracing set of dance punk songs that will have you dancing the night away.  As an "off label" suggestion, it also happens to be freakishly good driving music.  None of the foregoing is intended to suggest that Green Light Go doesn't have diversity.  For example, "Slam" has evident punk roots, while "The Scenery & Melody" is an excellent pop song.  "Rattle" was born and bred on the dance floor.

The punk roots of  "Slam" are evident.  "Slam", "The Scenery & Melody" and the lead track, "Panic On", can be asked for a dance below.







You can stream (and buy) the entire album from Bandcamp.

The Redwood Plan are Lesli Wood (vocals/keyboard/guitar), Sydney Stolfus (guitar), Betty ST (drums), and Larry Brady (bass/vocals).


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REVIEW: Don Rich - Don Rich Sings George Jones


It's been a delight to delve into some of these country reissues from Omnivore Recordings, and this Don Rich record of George Jones covers is no exception. It sounds great, and it is apparently the only solo album Rich ever did.

Unlike the recent Buck Owens reissue disc we covered, which was never recorded as an album, this was meant to be released. It was the result of an approach Owens made to Rich: "Hey, why don't you do an album of George Jones covers?" The Buckaroos had been doing records with various members on vocals, so this was not much of a stretch and the results are terrific. Unfortunately, it was shelved soon after being recorded in 1970 and never released until now... but better, much better, late than never.

I was not familiar with Rich as a vocalist, but hearing the songs on this record, I can't say why. He does a good job of putting his own sound on these well-known Jones songs... especially "The Race Is On" - where a nice California connection already existed for me, having heard the Grateful Dead cover it any number of times. I even hear some similarities - check out the little drum outro:



If you like country music at all, you're going to want to check this out. It may be the best pure country record I've heard so far this year. It's got the Nashville imprimatur of the great George Jones, but it is done in the Bakersfield style made so popular by Don Rich and Buck Owens (who also helps on the record, and has four of his own Jones covers thrown in for good measure). The band is the 1970 edition of the Buckaroos.

You can read a little more about the history of the recordings, and order the record from Omnivore, here.



Friday Nuggets: "(We Ain't Got) Nothin' Yet" (The Blues Magoos)

This week's Friday Nugget is one of the signature songs of the era. The Blues Magoos were from the Bronx in New York City and had some minor hits, but a worldwide smash with "(We Ain't Got) Nothin' Yet" released as a single in 1967.  I especially love the Vox Continental organ sound and the crazy guitar runs.

Two versions, one with superior sound:

And another with live footage (and very bad lip synching):


Thursday, February 14, 2013

Update: Dead Leaf Echo releases new advance track "Memory Traces", album due out March 5


New York-based shoegaze act Dead Leaf Echo has a new album Thought And Language, which I really like (WYMA Review here).

In our review, I noted that it's got a terrific, very full and lush sound. Check it out yourself - you can stream the song "Memory Traces" here:



And get a free download of that one here:



The album will be out March 5 on Neon Sigh, and they'll be out on tour throughout most of March, including a stint at SXSW:

Feb 26 - Hamden, CT - The Space
Feb 27 - New York, NY - Mercury Lounge (Record Release Party)*

Feb 28 - Philadelphia, PA - Kung Fu Necktie *
Mar 1 - Baltimore, MA - TBD *
Mar 2 - Washington, DC - Velvet Lounge *
Mar 3 - Richmond, VA - Bandito's #
Mar 4 - Chapel Hill, NC - Local 506 $
Mar 5 - Winston-Salem, NC - Black Lodge $
Mar 6 - Charlotte, NC - Snug Harbor $
Mar 7 - New Orleans, LA -The Saint +
Mar 8 - Beamont, TX - Tequilla Rok %
Mar 9 - Houston, TX - Mangos ^
Mar 10 - San Antonio, TX - Korova ^
Mar 11 - Denton, TX - TBD
Mar 12 to Mar 17 - SXSW Austin TX.

March 20th- Asheville NC TBD
March 21st- TBD.
Pre-order and buy some of their other music at Neon Sigh.

Introducing: Stubborn Heart and their free mixtape


Stubborn Heart is an electro-soul band from the UK consisting of Luca Santucci and Ben Fitzgerald.  Their debut album is out now on the One Little Indian Records.  To introduce you to their music, they have released this Valentines Lovetape.  You can stream it below and download it for free.  It sounds to me like a tasteful update of Northern Soul, I think it is good stuff.



Here is "Better Than This" from their LP --


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Solvents - New song "Careless Step" from upcoming Ghetto Moon



We've featured Solvents previously on WYMA (here and here), and I have really enjoyed the way they  drew the songs out, and the way they combined rock guitar and violin. Not surprising that they play well together - the core of the group is husband/wife team Jarrod Bramson and Emily Madden. Well, they were the core of the group, now it appears they are the whole group. As you can hear on "Careless Step", they have stripped down their sound a bit:



Removing some of the loudness and highlighting the violin was the goal, and they went into the studio with Karl Blau to achieve it. While I did enjoy the more "rock" sound of their previous music, I will say that on this song, they've achieved the goal of highlighting her violin and his voice - and their approach makes a lot of sense. I'd compare it to the approach employed by Gillian Welch and David Rawlings - with acoustic instrumentation and vocals, because of the way their songs are built, they're able to embody a sound that, while spare and using space well, is extremely full. Looking forward to hearing the rest of the new record. Ghetto Moon will be out March 19 on Bee Resin Records.




Valentines Day song from Bubblegum Lemonade

Glasgow guitar pop band Bubblegum Lemonade released Hits in the Car in 2012, a fine album that made my top fifty albums.  To help you adjust your attitude to match this romantic holiday, the band has shared this musical Valentine.  I understand that it might appear on their next LP which is planned for later this year.



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Pure British Pop from Twangtown: Chadwick Station - Waiting For A Sunny Day


From Britain by way of Nashville, TN comes Chadwick Station... though you'd certainly be able to guess the former from the sound of Waiting For A Sunny Day, their debut 5-song EP. Lead vocalist Alvis Kensington's got a Paul/Ringo thing going on the vocals - in fact, his mannered style reminds me, in places, of Ian Anderson. The band relocated from Great Britain to Nashville to work with pop/rock veteran Bill Cuomo.

This is not lo-fi indie rock or dream pop, this is radio-friendly Beatles-influenced (by way of 70's radio) pop music. I'd say if Abbey Road was your favorite Beatles album, and you yearn for simple, sunny pop music that can take you back to that place and time, this may be right up your alley.

Here's "High And Low", a pretty good example of what they're up to:



It's out now on Englishwood Records, and you can learn more at the Chadwick Station Website.



New Discovery: Old English - Prose & Kahns



Over the course of the 12 songs that compose Prose And Kahns, Old English (Canadian artist Matt Henderson) weaves together elements of several strains of modern indie rock. There's dance rock (check out the beats in "We've Been Here Before"). There's introspective, moody electronic stuff (as in the soulful vocals, slowed-down pace and synths throughout "The Corrections"). There's straight-ahead singer/songwriter folk rock ("Pop Shop", at least until it soars off toward shoegaze territory in the last minute or so). And there's plenty of guitar - in front of and behind the beats, synths and understated vocals. The best part is, Henderson pulls all this together to make the album a journey worth taking.

You can check out a few songs for free at the Bandcamp site:

Here's "Pop Shop":





Prose And Kahns was released last week (Feb. 5). You can learn more at the Old English website, or the Old English page at the CBC.


Wednesday, February 13, 2013

New Song from Water Liars - "Linens" from upcoming Wyoming


Here's the second track to be released by Mississippi country rock duo Water Liars: "Linens". Introspective, reflective and full of verbal images, this is a really pretty track - good reverb on the guitar, great vocal harmonies:



Water Liars is Andrew Bryant and Justin Kinkel-Schuster. Their second album, Wyoming, will be out March 5 on Fat Possum/Big Legal Mess - read more, and pre-order from Fat Possum, at this link. We previously featured another advance track from the album, "Fake Heat" - click here to check it out.

New Electronic Rock Discovery: Patti Yang - "I Am Ready"


Patti (or Pati) Yang is a UK-based (originally Polish) artist playing electronic rock music. After emigrating from Poland to London at 16, she released her first album at 18. She's part of the well-regarded electronic act Flykkiller and has opened stadium shows for Depeche Mode. She released two EP's in 2012, and is working on an album for 2013. For now (and for a limited time), she's made this track "I Am Ready" available for download:



This will be part of an EP with a couple of remixes (Jagz Kooner and Skylab), then an album later in the year. I really like the way this nearly six-minute track builds and unfolds, and look forward to hearing more from her.

"Latter Days", new song from French Films


We introduced our readers to the great sound of Finnish rock band French Films last fall (link).  They play an infectious brand of New Order post punk/Close Lobster college rock that we find very appealing.  French Films' next album, White Orchid will be released later this spring on the GAEA label in Scandinavia and Odyssey Music Network and Rough Trade elsewhere in Europe.  While waiting for that release, new and old fans can enjoy a delightful anthem from the record -- "Latter Days".  Give it a spin below and put White Orchid on your wish list.



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Henry Rollins

Henry Rollins is 52 today. His post-punk incendiary rock was a great 80's and 90's counterpoint to the self-absorbed and introspective rock of that era.  I always looked forward to the in-concert energy of the Rollins Band and fellow political rock gadflies Rage Against the Machine.  Rollins always seemed like a prime candidate for on-stage spontaneous combustion. The other day someone asked if they would ever see Ted Nugent on WYMA.  Good question.  I had a couple of apocryphal experiences at Nugent concerts in the Rust Belt Midwest which in retrospect seem to be scripted by Fellini and Bosch.  I may share them at a future time.  Instead, I leave you with a clip from an anti-Nugent rocking harder than Ted ever has.  Give it a listen and pull-start your rock and roll motor.

  

I'm sitting in my room in your prison doin' time
bars on my windows 'cause you got so good at crime
standing on the corner with nothing in your head
shirt on your back and a gun in your pants
thinking you're the man but you're only a stand in
standing in line to be the next bad guy
I see what you do when you use what you got
but what do you do when you do what you want

you're so civilized, you get brutalized

you're so civilized, man: I watch you get hurt down

getting your mind off some guy's record

he makes his money off fools like you
singing about killing like it ain't no thing but
you do the time when you live it for real
paying his way from your death row cell
you're the last 1 to see, you got sold out
I hear you say you hate pigs so much then
why the hell do you act like 1

I wonder what you're like without the gun

I'd like to see when you're not hiding behind the gun
how you've lived your life without the gun
'cause I know how I lived mine
because you got one, yeah, 'cause that's what it is
you hide behind your gun
you take life, you're just another pig to me
you think you're different but you're just another pig
yeah, a pig, yeah
you gotta have a gun then you're just another pig to me
you think you're different but you're just another pig
you gotta have a gun, you'rea pig to me, just a pig to me
you gotta have a gun, you're just another pig to me
you got a gun, you're just another pig

a gun in your hand makes a fool out of you, oh yeah

a gun in your hand makes a target out of me, oh no
freedom, you ain't no freedom, you want your freedom,
your freedom is killing you man, freedom
you can't handle your freedom, hey
and now you're dying for it

HenryRollins.com

Tuesday, February 12, 2013

New song from Surfer Blood, album later this year


West Palm Beach, Florida's Surfer Blood will be releasing a new LP Pythons in June.  As an appetizer, they have released "Weird Shapes".  While the guitar-centric aspect of their earlier work remains, this track bears fewer guitar effects and suggests a more straightforward rock approach.  I think I'm going to like it.


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Psych-rockers The Pharmacy head out on tour, offer free track


The Pharmacy - nothing fancy, just some dudes from Seattle who have a tremendous way with a psychedelic pop hook - are going out on tour (Western US, maybe some Eastern dates to come). And to celebrate, and maybe pique your interest, they're offering a free download of "Make Me Remember":



We wrote about them back in November and twice previously, and while they wouldn't have to offer free music to get me to write about them again, it's a decent excuse.

The Pharmacy's Stoned And Alone, which also made my 2012 Top 50, is available via Old Flame Records.

Tour information:

03.07.13 - San Francisco, CA @ Hemlock Tavern 
03.08.13 - Fullerton, CA @ Burger Records 
03.09.13 - Tucson, AZ @ Plush 
03.10.13 - El Paso, TX @ Black Market
03.12.13 - 3.17.13 - Austin, TX @ SXSW 
03.18.13 - Lubbock, TX @ Depot O 
03.19.13 - Santa, Fe, NM @ TBA 
03.20.13 - Denver, CO @ Moe's 
03.21.13 - Salt Lake City, UT @ Burt's Tiki Lounge
03.22.13 - Boise, ID @ Treefort Music Festival 

03.23.13 - Portland, OR @ TBA

Quick Update: Kurt Vile "Wakin on a Pretty Daze"



WYMA favorite Kurt Vile is releasing a double record called Wakin on a Pretty Daze on April 9. Now that is something to look forward to.

Here's a sneak listen to one track, MP3 "Wakin on a Pretty Day" and a You Tube version:


We are certainly ready for a great deal more of stuff this good. Vile's vocals and psychedelic acoustic guitar sound are so distinctive and always just right.

Matador Records announced information about the record here, including tour dates, track listing and a video about the cover art.

We'll review this one for sure as the release date arrives.

One more reason to look forward to Spring.

REVIEW: The Little Ones - The Dawn Sang Along


Some things are special because the things themselves are good; some things are special because the timing is good.  And some things are both good and well timed.  I suppose that if we investigated, we'd find that none of Southern California's The Little Ones are doctors, or even licensed pharmacists.  However, their new eleven-track LP, The Dawn Sang Along, may be the best, least expensive, and perfectly timed cure for the mid-winter blahs that you will find this year.  The album is indie pop -- indie pop drawn with broad strokes.  Accordingly, rather than appealing to some pop lovers of some sub-genre, but leaving others cold, if you are a pop fan you will appreciate this album.  The tones are sharp and bright, the chords major, and the harmonies buoyant and warm.  And a number of flourishes and rhythms have an international feel to them.  This is a good thing because it gives the listener the impression that the sunny mood and good times can follow the weather around the globe.



"Forro" and "Argonauts" are the two songs available to include here, but most any song from the album would have sufficed.  One of my personal favorites is "Catch the Movement", which is one of my favorites songs of the year to date.



The Little Ones are Lee LaDouceur, Kevin Lenhart, Ian Moreno, Brian Reyes, Ed Reyes and Ryan Wilson.  They are based in Los Angeles and San Diego.

The Dawn Sang Along is out on February 12 on the Branches Recording Collective label.

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Monday, February 11, 2013

SXSW Preview: Rah Rah

Several years ago, I was flipping through some channels on Sirius and stopped on one of the CBC stations, probably CBC 3, when I heard this wonderful song by a band called Rah Rah:



Always a sucker for bittersweet songs in 3/4 time, I was immediately hooked on "Duet for Emmylou and the Grievous Angel" and impressed with its simple and beautiful Neil Youngish elegance (hint:  Neil Young is God).

After a little investigation, I was surprised at how young Rah Rah seemed to be - a bunch of fresh faced kids from Regina, Saskatchewan - especially given the quality of the song.  Was this a fluke or the beginning of something special?  After following them for few years, including seeing their great set at the SXSW Canadian Blast in 2011, I am convinced that Rah Rah is worth cheering for (that was awful, but I'm leaving it in.)

Regardless of the general style of song (ranging from alt-country to Arcade Fire-esque modern indie rock), Rah Rah keeps churning out catchy tunes that stick with you long after the first listening.  Their most recent and third full length release,The Poet's Dead, was one of the hidden gems of 2012.  Check out the addictive "Art and a Wife" and "Prairie Girl" below.  Then, go see them when they come to your town (like at the Smiling Moose (Upstairs) in Pittsburgh) and at SXSW.



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REVIEW: IT Girl - Neon Signs


I don't think I'm going out on a limb to say that IT GIRL likes guitars.  And on their debut EP, Neon Signs, guitars are delivered with angular, post punk, dance rock energy and a hint of menace.  With the additional element of baritone vocals, the band might remind listeners of fellow Glaswegians Franz Ferdinand or Interpol -- more the former than the latter for my ears, and that'e a good thing.  But IT GIRL has less of Franz Ferdinand's louche moments and more urgency and pace.  The songs have a palpable forward drive, with the upfront bass and percussion supporting crunchy chords and a stabbing, commanding lead guitar.  The vocals are up in the mix, but have a understated texture that leaves the guitars center stage.

The third track, "Victim to the Clock", provides a representative sample of this band's intriguing sound:



You can stream the entire album below.  The title track initiates proceedings with energy and swagger. "Hailey Commits" has a late-night anxious feel, while "Firelight" is probably comes the closest to being a pop song.  One notable aspect of the album is that the drumming, which is uniformly excellent, is provided by five different drummers.



If, like me, you like what you hear, the album is available for "name your price" at the Bandcamp link below.

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"I'll Be Your Mirror" by Here Comes The Here Comes

Here Comes the Here Comes is a Castle Face Records supergroup consisting of Mark Tester (Burnt Ones), Adam Finken (Blasted Canyons) and Brigid Dawson (Thee Oh Sees) that came together as Castle Face was putting together a covers album in tribute to the Velvet Underground & Nico (our coverage of the album here).  The producer for "I'll Be Your Mirror" decided to have the lyrics read by 13-year old Cisca Hughes.  Here is the song and video.




Sunday, February 10, 2013

Redd Kross announces tour dates, supporting Researching The Blues


One of the records most often recommended to me as I shared "Best of 2012" lists with friends was Redd Kross' Researching The Blues. How I overlooked it, well, who knows? Maybe it was the hundreds of other records I checked out - but I've remedied the situation and will join in the chorus of praise... Check out the terrific guitar work here, especially the thundering runs on "Stay Away From Downtown" and the title track (which also embodies some great surf/punk drum and bass work):



Somehow, 34 years on, the brothers McDonald are still able to harness the punk spirit (and those outrageous guitar leads) that launched their career when they were 11 and 15 and opening for Black Flag... and now I have the opportunity to tell you about their upcoming tour, starting March 1 in California:

Mar 01 San Diego, CA – Casbah
Mar 02 Joshua Tree, CA – Pappy and Harriet’s
Mar 09 Meredith, AU – Golden Plains
Mar 12 Melbourne, AU – The Espy (Headlining)
Mar 14 Brisbane, AU – Hi-Fi w/ Dinosaur Jr.
Mar 15 Coolangatta, AU – Coolangatta Hotel w/ Dinosaur Jr.
Mar 16 Sydney, AU – The HiFi w/ Dinosaur Jr. & Royal Headache
Apr 03 Atlanta, GA – The Earl
Apr 04 Raleigh, NC – Kings Barcade
Apr 05 Washington, DC – Black Cat
Apr 06 New York, NY – Santos Party House (early show)
Apr 07 Philadelphia, PA – Kung Fu Necktie
Apr 10 Montreal, QC – Il Motore
Apr 11 Toronto, ON – Horseshoe Tavern
Apr 12 Detroit, MI – Lager House
Apr 13 Chicago, IL – Empty Bottle
Apr 14 Milwaukee, WI – Cactus Club

Travelling around Australia, opening for Dinosaur Jr. - well done, Redd Kross. Maybe, if you ask nicely, they'll play this one:


Pioneers of Rock - The Ventures

Don Wilson, an original guitarist in The Ventures, is 80 today.  The impact of The Ventures on guitar based rock is arguably the equal of any other RnR group. The number of musicians naming them as major influences is impressive:  George Harrison, Lindsey Buckingham Ray Davies, Terry Kath, Mark Knopfler, The Ramones, Keith Moon, Stevie Ray, Vaughan, Jimmy Page, Brian May, and Ted Nugent.  They provided the impetus for many to start their own bands.  The first question asked of any aspiring 60's drummer was "Can you play Wipe Out?"  The some tonal quality and sound can be heard in the music of many current cutting edge groups.

Can your drummer play this?:



Their first charting single:





 Some more:



And the one we have heard the most:

 



The Ventures Website

Introducing: Haiku Salut


Gemma, Louise and Sophie, three women from the UK's Derbyshire Dales, form Haiku Salut.  Their music really is its own genre - experimental, baroque, instrumental music with folk and electronic elements.  Instruments include, but probably are not limited to, loop pedals, accordions, and melodicas.

Their album Tricolore will be out in March on London's How Does It Feel To Be Loved label.  The single "Los Elefantes" was released in January, and is available as a free download here below.  It is a gorgeous song and I look forward to the album.



The single also is the subject of this fine video --


Haiku Salut - Los Elefantes from Haiku Salut on Vimeo.

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New Discovery: Paradise

PARADISE
EAGLES LODGE, PORTLAND OREGON
DECEMBER 1ST 2012

Here they were, right under my nose in Portland OR where I live, though I hadn't heard of Paradise until our leader here at WYMA, John Hyland, alerted me.

Things you need to know about Paradise:
  • They prominently use a farfisa organ, a vastly underrated rock'n'roll instrument. Said farfisa organ is played by a very stylish female named Tamar Paradise. We like this a great deal.
  • They are a fashion-forward bunch, and their videos, graphic design and even their fans look terrific. We think this is good - we are tired of sloppy-looking, unfit guys in old flannel shirts.
  • They all use the last name Paradise, which is not all they have in common with The Ramones: Steve Paradise (lead vocals and guitars, and really great guitar at that), Dominic Paradise (bass - heavy/aggressive; vocals), Brian Paradise (drums, tears it up), Tamar Paradise (farfisa, vocals).
  • However, and this is very important, don't let the names, sharp clothes, and high concept accoutrements fool you - Paradise absolutely rock. And not in a careful, high fashion way - they rock like Iggy Pop rocks, with abandon, and a gritty, rough and tumble, garage punk sound. 
  • While he might not look like it, Steve Paradise is a badass. So is Dominic Paradise, though he looks the part too.  
  • One or more of them originally hail from Cleveland. That makes for very good rock genes. Ian Hunter was right. 
  • Their debut LP Diary of An Old Soul is a stunningly perfect 8 song, 30 minute, Nuggets-inspired joyride of psychedelic / garage rock / punk rock heaven.
Enough build up, here they are with the title track "Diary of An Old Soul":


That point at the 1:17 mark when they throw it into high gear is one of my favorite musical moments in quite awhile.

Here's "Humans and Stars" (and what's up with the fans here - real fans, actual people, or did they bring in a bunch of models? though hey, whatever, we're fine with the whole thing):




While the Nuggets influences are prevalent, this record is hardly a strict '60's throw back, and owes just as much to punk and post-punk bands like The Ramones and Nirvana, and more than anything, Paradise's own, bold, 2013-sounding take on the last 40 years of rock'n'roll.  What I like best about Diary of An Old Soul is how much of a true and defined sound it has start to finish - Paradise has an unusually clear sense of what they are trying to accomplish sonically. Actually the band this reminds me most of is a similarly farfisa-heavy 80's band out of Boston, The Lyres (note to Paradise: you should work up a cover of "Help You Ann" for your live shows).

This is great stuff and my favorite find of the new year.

Artist web page: http://weareparadise.com/
Facebook page: https://www.facebook.com/ParadisePDX