Saturday, November 26, 2011
We invite you to become familiar with the band's music--the September and December EPs and the November single all are embedded below. If you like them, you can download them free. That may be the best Black Friday weekend sale you get today.
No One Is An Island--
Here is The Break-Up Single from November 2011--
The December release, Big City Nights, is available free now--
A tip of the cap to Lloyd, founder of the Peenko blog from Glasgow, which is how I found out about this band.
Twitter ( @HpstrDthSqd )
Aussie garage rockers Bleeding Knees Club produce euphoric garage rock with just the right doses of swagger, sneer and sleaze. And they are very good at it. The band is "Alex Wall, Jordan Marlane and Matt Woods". They remind me of the Black Lips, but whether you agree or not, I think you'll enjoy them.
Teenage Girls by Bleeding Knees Club
I by Bleeding Knees Club
Twitter ( @bleedingknees )
Friday, November 25, 2011
Thursday, November 24, 2011
Wednesday, November 23, 2011
I've lauded Glasgow's glorious dirty surf group She's Hit a few times this year, including this review of their excellent debut album, Pleasure. Their label, Re:Peater Records, recently advised me that Pleasure is available for digital download on the major sites, and for streaming on Spotify. A link to the US Amazon page for the album is here.
And in case you're hesitating, here is the official video for one of the album tracks, "Part One". And if you've already bought the album, enjoy the video--you deserve it.
She's Hit on Soundcloud
Re:Peater Records on Bandcamp
Another Re:Peater Records album that impressed me greatly this year is Luck by Jacob Yates & the Pearly Gate Lock Pickers. I loved it when I reviewed it, I love it now, and I'll love it when I make my year-end list. For the readers who want a bit of Luck, but didn't get a physical copy or purchase from Bandcamp, this album also now is available via the major on-line sites and Spotify. The US Amazon link is here.
For a reminder of doom wop sound of JYatPGLP, here is album track "Can't Stop".
Here is album track "Mary Hell" live at Stereo in Glasgow last Sunday night.
Re:Peater Records on Bandcamp
Palmz is from Santa Cruz, California. The members of the band are Lexie Corfiatis (vocals, guitar, bass), Devin Eiring (drums), and David Conner (guitar). The delightful "Teenage Heartthrob" is from their 2009 release X-Ray of Fun.
Here is a single they released this past June and March, respectively:
The three-person POW is from San Francisco. Their only release on Bandcamp is the two-track Pretend There, which you can enjoy below. They spice up the garage punk with a sonic synth blast.
Tuesday, November 22, 2011
Not that it was noticed, but the jealous exigencies of the real world jammed me up good for 5 or 6 weeks of the past couple of months, such that I couldn’t post anything. All that time I was listening to a few new things that I’m hoping to get around to writing something about in the next couple of weeks, but on a daily basis I felt myself being pulled into one record I just couldn’t get out of my head – not that I was trying. It was the new album from Eugene, Oregon's Yob, called Atma, a five song, 55 minute maelstrom that I swear, if you give it the time and attention it deserves, will be on your year-end list regardless of where your music tastes currently dwell. It was released a couple of months ago by Profound Lore.
I’m not so naïve as to expect that the regular visitors to this forum come here to get a metal fix, and despite that I’ve deeply loved the genre since I was a pre-teen, I confess to being a philistine when it really comes down to it. Still, I’m probably listening to as much metal now as I have since I was a kid, when my steady diet of Zeppelin, Sabbath and Priest abruptly gave way to Killing Joke and then to punk, causing me, with few exceptions, to lose touch for the next 15 years. Thank goodness life is long.
Yob is the creative outlet for Eugene singer-guitarist Mike Scheidt, and the band has released five studio albums since 2003. They are variously categorized as doom, sludge, or stoner metal, in that their songs are not 3-minute Converge-style metalpunk amalgams, nor are they the 6 minute solo-filled scorchers so well-covered by the likes of Matt Pike and Trey Azagthoth. This is not to suggest Mike Scheidt is less than a brilliant guitarist. He demonstrates several times on this album that he’s fully capable of a gripping solo, but the most fascinating and rewarding guitar work on Atma can be felt in the tension Scheidt creates between the low-register bar chords and the bright bursts of sound that flash out of the sludge. He has credited his Brent Monson guitar for the beautiful sound he is able to get on the record – and it is uniquely beautiful.
These songs take time to develop, and they take several listens to know, but they are thoughtfully composed by an artist who has considered every measure. I am well aware I’m asking a great deal of a reader to request that he or she listen carefully to a ten minute song from a genre he or she doesn’t give two craps about, but I’m going to throw a couple of them up here and urge you to pour yourself a drink (a big freaking drink, these are long songs), isolate yourself, and let the noise take over. If, after a couple of minutes, you feel like turning it off, what you really need to do is shut the hell up and turn the volume a couple of rotations higher.
This is the album opener, “Prepare the Ground”, which starts with a primal chord progression leavened with that Monson sunburst, and then progresses into something highly violent that will make you think the guitar is actually fighting back . This video is from a live show in Spain a couple of months ago, but the sound quality was bad, so they subbed in the album version. Doesn't match up perfectly, but it's better than looking at an album cover for the whole song. Enjoy it.
The newly renovated Neptune Theatre in Seattle's University District hosted The Posies Saturday, November 19, with supporting acts Star Anna & The Laughing Dogs and Curtains for You. I'll address the headliners first. From time to time one reads of The Posies being a power pop act, or a pop act. But for me, their set was a satisfying reminder that The Posies are a rock band, albeit a rock band with very well developed pop sensibilities. The band was a four-piece, with Jon Auer and Ken Stringfellow--both excellent, and enthusiastic, guitarists--ably supported by a bass player and a drummer. And with the bass was well up in the mix, a mic inserted in the kick drum, and Jon and Ken providing a near constant electric assault, the Neptune was rocking. That isn't to say that The Posies eschewed their well-renowned vocal harmonies, or that there were not some quieter moments. But for most of the evening the harmonies rode a very robust musical wave.
I didn't try to keep track of a setlist, but I recall that we heard tracks from the newest album, Blood Candy, as well as Frosting on the Beater standards "Solar Sister" and "Flavor of the Month". Frosting on the Beater is a favorite of mine. Not only was the music first rate, but along with Teenage Fanclub's slightly older A Catholic Education and the somewhat later early albums by The Delgados, we could enjoy rock with pop vocal stylings and clever songcraft. However, the one of the true joys of The Posies is that they continue to refine and evolve, and the concert would have felt incomplete if the evening had just been a nostalgia exercise. And since the live version of a song rarely sounds the same as the studio version, I was especially happy to hear recent songs that I'd only hear on CD before the evening. Rest assured, they sounded great.
The Posies set was more than generous. I think it clocked in at 1:45, with a short break after about an hour. It is hard to pick out highlights, but I particularly enjoyed "Flavor of the Month", "Solar Sister" and "She's Coming Down Again". And it was a nice change of pace when only Ken and Jon were on stage to sing together, as it gave the harmonies a bit more space.
The Posies still put on a good rocking show, and I was amazed at how well they transition between songs and blend together with no obvious communication. You'd be well advised to consider them if they are appearing in your neighborhood.
STAR ANNA & THE LAUGHING DOGS
I reviewed this band's most recent album a few months ago, so I was interested in hearing them live. I walked away even more impressed with their live show than I was with their very good album. Star Anna's vocal delivery is a stunningly good, and the band is excellent, individually and as a unit. The band consists of a drummer, bass, keys, and lead guitar, with Star Anna playing the guitar on many tracks as well (for the record, the line-up is Star Anna, Justin Davis, Travis Yost, Keith Ash, and Ty Bailie). The sound generally is a country-noir rock sound. But it seems to me that the set rocked out more than the album, which pleased me and provided the perfect warm up for the headliners. If this band has the ambition, and necessary bit of luck, I think folks outside of the Pacific Northwest will be hearing a lot from them.
CURTAINS FOR YOU
The first band, Seattle’s Curtains for You, were completely unknown to me, and I'll have to admit that I didn't pay a lot of attention to them during their first few indie rock standards. They were energetic but I didn't feel very connected to them. However, a few songs further into the night I began to enjoy their performance. All are very good musicians: Peter Fedofsky (keys, vocals), Mike Gervais (lead guitar, vocals and some sax), Matthew Gervais (lead vocals, rhythm guitar), Dave Lawrence (drums), and Nick Holman (bass, vocals and some horn). As their set evolved, they demonstrated vocabulary of musical expression far beyond that of an indie pop band. To be fair to these guys, and since I'm based in Seattle, I'll have to give them another look.
The Spook School is an Edinburgh indie/pop band with a delightful sound an always amusing blog (linked below). They just released a very nice two-track album entitled Are You Who You Think You Are?
Twitter ( @spookschool )
We profiled Scottish two-piece Dolfinz earlier in the year. They are on our radar again with a two-track 7" Teenage Doom / Nosebleed 7", a very good fuzzy, punky noise pop set.
A Berlin Heart is a medical device used when a heart is failing. It also is the name of a Glasgow band that doesn't really want us to know any more about them at this point. Berlin Heart -- the band, not the medical device -- has released this wonderful bit of dark, minimalist, dirty surf to get us in the mood for the holidays. The name of the song is Blanket Over Sky. By the way, the song is released on Re:Peater Records, who also released the She's Hit and Jacob Yates & the Pearly Gate Lock Pickers this year.
Berlin Heart on Bandcamp
Re:Peater on Bandcamp
Re:Peater on Facebook
Monday, November 21, 2011
In last week's review of Fully Cocked by Bwani Junction, I wrote that the album was available on Amazon and iTunes. It appears that a barcode error resulted in that information being correct. However, the error has been corrected and the album is available for digital purchase at both sites.
We proposed to sacrifice a virgin in atonement for the error, even though it wasn't our fault. But no one at the WYMA offices, including contributors, staff and interns, is a virgin or even admits to knowing any virgins. Accordingly, in the manner of the best bureaucratic operations worldwide, we have resolved to never speak of this matter again.
Here are a couple of links you might find useful.
Bwani Junction - Facebook
Seattle's Seapony isn't relaxing despite their busy recent history. The band was formed in 2010, released Go With Me, their first LP, on Hardly Art Records in late spring 2011. Since then they've toured and made some videos, and now they are recording again. On November 22, Hardly Art is releasing a two-track 7". The A-side is "Sailing" and the B-side is "I Saw You". Here is the Soundcloud player for "Sailing"--
Seapony - Sailing by hardlyartrecords
And, if you prefer Bandcamp, here is the Bandcamp player for "Sailing"--
To my ears, "Sailing" is unmistakably a Seapony song, which certainly is not criticism. However, the sound has been embellished by hand claps and xylophone which add nicely to the overall effect.
Twitter ( @SeaponyBand )
Hardly Art Records
Sunday, November 20, 2011
And here's Will performing "Devil On The Interstate Line" from his EP Little Raider, also released earlier this year:
If you don't have either or both of these records yet, well, I don't know why. If you do, tell your friends.